A Closer Look At American Suburbia

Toni Troell Film Appreciation Cherie King March 20, 2002 A encompassing(prenominal) explore at American Suburbia         In American kayo (1999), which was directed by Sam Mendes, we be confronted with the images that take in consumed mainstream American life. Mendes exploits these images that we, as Americans, have created around ourselves as a means of hiding our true nature. In American Beauty, Mendes plays on the natural tendencies of the viewers to seek problems in other peoples lives and campaign us acknowledge and confront the images that have become our own. Also, by the use of report, the mise- en- scéne and cinematic techniques, Mendes invites us into the vestibule of the Burnhams so that we can look closer at American suburbia. He uses the audiences tendencies to relate to the sheaths in order to deconstruct the images that be portrayed by the timbers and to confront our true nature. From the start of the encounter the construction of ima ges is evident. American Beauty (1999) begins with a shot of a young teenage girl, shown through the use of a intromit camera. The memoir reveals that she wants her father dead. The image that is portrayed about her character is that of an ungrateful, unaffectionate and very bitter teenager.

As we will subscribe to by the end of the film, this image of Jane is not at notwithstanding what it appeared to be. The next scene is of a high angle shot, with a voice-over being spoken by Lester Burnham, played by Kevin Spacey. The narration reveals that he is already dead, which tells us that the following scenes ha ve already taken place. This sets the theme! for the movie: there is more to the name than what appears on the surface. The high angle tracking shot of Lesters street also holds significance for the spectator. It... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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